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WORLDMAKING FROM A GLOBAL PERSPECTIVE:
A DIALOGUE WITH CHINA
從全球視閾看“世界”的建構:對話中國

Presentation of the paper "China’s 'Rural Guardians': Platformization of a rural development campaign" by Elena Meyer-Clement and Antonie Angerer

News from Nov 28, 2023

The worldmaking project Social Worlds: China's Cities as Spaces of Worldmaking and its researchers participated in the annual conference of the Arbeitskreis Sozialwissenschaftliche Chinaforschung (ASC) from November 23-24, 2023.

Elena Meyer-Clement (University of Copenhagen) and Antonie Angerer (University of Würzburg) presented the paper "China's "Rural Guardians": Platformization of a Rural Development Campaign" on November 23, 2023. In addition, Björn Alpermann and Ryanne Flock chaired two panels during the conference.

Abstract: "China’s “Rural Guardians”: Platformization of a rural development campaign"

An ever-growing part of life takes place on social media platforms, and this is certainly true for the largest part of China’s population. Not only individual users and commercial firms compete over views and likes in these spaces, but increasingly also government actors who are well aware of the excessive viewing practices of China’s netizens. However, it is difficult to grasp the political impact on social media platforms beyond the obvious censorship regulations.

In this paper, we analyze a program on rural development on the short-video platform Douyin, the Rural Guardians, which is part of the larger “Bytedance rural plan (zijie xiangcun jihua 字节乡村计划)” started by the Bytedance charity foundation in 2021. Embedding the qualitative content analysis of videos in a wider discussion of the interests and strategies of major actors involved, we investigate how the linkages and entanglements between political and commercial actors have become an integral part in shaping the production of rural digital space as a space promoting both economic consumption and political mobilization. By means of inclusion in the program, the well-known and widely liked rural nostalgia videos become framed as part of the ongoing rural development campaign promoting a new appreciation of the countryside and rural traditions, as well as a place of economic opportunities inviting the move of young educated urbanites, as well as the migrant population to return to the villages. In this “platformization of politics”, commercial platforms and government actors seem to work hand in hand in steering rural video production and dissemination towards both commercially and politically exploitable representations of the countryside.

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